In “Empire of Wild” by Cherie Dimaline, a tale unfolds where three generations of women strive to rescue a loved one from the clutches of the Rogarou, a wolf-like entity. Their mission aims to bring back a missing husband and shield their territory from corporate interests. This captivating narrative, filled with raw intensity and allure, claimed the top spot as Indigo’s best book of 2019, surpassing renowned works like Margaret Atwood’s “The Testaments” and Taylor Jenkins Reid’s “Daisy Jones & The Six.”
A significant investment of around $4 million is now in motion to transform this Indigenous-inspired story into an opera, spearheaded by a creative team from the community where the novel is set, on the shores of Georgian Bay, Ont. The world premiere is scheduled for the upcoming spring in Toronto, setting the stage for a bold artistic endeavor that aims to attract a diverse audience, including newcomers to the opera scene.
The setting of “Empire of Wild” in Penetanguishene, Ont., resonates deeply with the author, Cherie Dimaline, and composer Ian Cusson, both natives of the same Métis community. Cusson’s musical interpretation of the book draws inspiration from the Rogarou tales passed down through generations in his family, adding a personal touch to the opera adaptation. This collaboration strives to bring forth contemporary characters that modern audiences can relate to, featuring diverse personalities and relatable dialogues that mirror real-life interactions.
The narrative at the core of “Empire of Wild” delves into themes of power, resistance, and resilience, epitomized by the protagonist Joan’s quest to reunite with her husband amidst sinister forces at play. The opera showcases a blend of talents embodying the characters, including performances by artists from various Indigenous backgrounds, such as Marion Newman and Evan Korbut. This collective effort highlights the importance of intergenerational support and matrilineal strength in the face of adversity.
As the production unfolds, it symbolizes a shift in traditional opera storytelling, embracing a modern and inclusive approach that challenges conventional norms. The involvement of Indigenous creators like Cree designer Jeff Chief and Algonquin director Yvette Nolan signifies a pivotal moment in the opera world, emphasizing the value of diverse perspectives and collaborative creation processes. This innovative model of artistic expression aims to inspire similar initiatives in the industry, fostering a more inclusive and equitable environment for all contributors.
In essence, “Empire of Wild” represents a groundbreaking narrative that transcends boundaries, celebrating Indigenous voices and narratives while paving the way for a new chapter in opera production. It stands as a testament to the enduring spirit of Indigenous cultures, blending tradition with innovation to craft a distinct and compelling story that resonates with audiences of all backgrounds.